[
  {
    "name": "The Studio",
    "avatar": "/storage/media/merchant/pkbythestudio/lecturer1.jpg",
    "title": "主辦單位",
    "phoneCode": "+852",
    "phoneNumber": "0908448343",
    "description": "一個關於將藝術、飲食與對話結合的平台，從 2017 年 11 月至今，已舉辦 6 場藝術饗宴，與 70 多位藝術家合作、400 多位的參與者共襄盛舉。藉由每次不同的活動主題 (包含：族群My Tribe、光影The Light、交換The Exchange、時間Time、肖像Portraits)，與不同的藝術家、廚師、調酒師、音樂家、表演者等，在不同的空間共同創作，打破既有的策展形式，創造參與者深刻且獨特的深度體驗。\nTHE STUDIO is dedicated to everyone who loves creative practice and good food.  We host dinners every week in our private kitchen in central Taipei, which is available to the public and for private bookings. We also create three special dinner events each year that highlight some of the most dynamic people in the arts. "
  },
  {
    "name": "美源美術館",
    "avatar": "/storage/media/merchant/pkbythestudio/lecturer2.jpg",
    "title": "協辦單位",
    "phoneCode": "+852",
    "phoneNumber": "0908448343",
    "description": "座落於台北的中山區，同時也為家畫廊的策展空間。館長王采玉為第三代，為了讓更多人能欣賞父親數十年精心收藏，如常玉、潘玉良、余承堯、林壽宇等藝術家的作品，成立美源美術館，象徵三個世代澆灌而出的美學沃土，不為投資而收藏，重現作品的本質。以「微型美術館」的概念經營，跳脫傳統藝廊展出思維，轉型為藝術品的研究機構，積極與國內外美術館及藝術基金會交流合作、不定期推出展覽。\nMei Yuan Art Museum intends to cooperate with other museums to create great exhibitions while specializing in the works of Yu Cheng Yao and Richard Lin. The three generation leads the museum to share a pure notion of sharing art for the love of art. The museum’s intimate “mini-museum” concept allows visitors the possibility of the special communion with the art."
  },
  {
    "name": "郭志宏 Chih Hung Kuo",
    "avatar": "/storage/media/merchant/pkbythestudio/lecturer3.jpg",
    "title": "藝術家",
    "phoneCode": "+852",
    "phoneNumber": "0908448343",
    "description": "在臺灣與歐洲接受十年教育的畫家，許多人議論他的山究竟是東方還是西方，但他不樂於受到這些疆界的限制，直指繪畫的定義與本質。他的山逐漸失去辨識度，一律稱呼它們為「某山」。他試圖超越臨場與視覺，思考如何不透過寫生的方式來達到對山的理解，將山、石等景象的片段混雜與交融，在交纏間產生了共振與共鳴。在共存的形象之間產生了一種形象之美。\nAfter a decade of training in both Taiwan and Europe, Kuo is greatly benefited from his cross-cultural background. Many have tried to identify whether his mountain belong to the East or the West, but it is unlikely that Kuo should be willing to stay within the borders. His paintings lead us to the definition and essence of painting. Gradually, the mountains in his paintings have become unidentifiable and the mountains are not a realistic copy of the nature as how people usually understand it. He tries to transcend the idea of presence as well as the visuality at scene, investigating how he can realize the mountains without painting from life. What he has done is merely to combine the extracted fragments of the scenery, such as the mountains or rocks and allowing the entwined elements to produce an unexpectedly fascinating resonance."
  },
  {
    "name": "林銓居 Chuan Chu Lin",
    "avatar": "/storage/media/merchant/pkbythestudio/lecturer4.jpg",
    "title": "藝術家",
    "phoneCode": "+852",
    "phoneNumber": "0908448343",
    "description": "人與土地的關係，從農事與藝事之間，在山水、農事與裝置等不同作品的形式與媒材之間，找尋適合土地對話的身體。曾受邀在忠泰的明日博物館進行「晴耕雨讀」的游移式展覽，同時演繹藝術家與農夫兩個角色，在位於稻中央的工作室親身實踐古代文人晴日下田，雨日讀書的耕讀生活。\nHe is an ink painter and a freelance writer who combines the spirit of literati and peasant who was born at the farmhouse in Wanli. His works pay attention to the relationship between human and land, from farming to art in great varieties of art such as landscape, installation. Also, he was invited to present a 'Rice for Thoughts' exhibition at the Museum of Tomorrow from JUT Art Museum. At the same time, he played the roles of artist and farmer and practiced the life of ancient literati which is farm in the sun days and study in the rainy days."
  }
]